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The Void was made to be enjoyed, and I enjoyed it the first three times even though I failed miserably until I actually learned how to play. Some of us actually like their hobbies and enjoy good games - including the challenge on the way - not just completing them like addicted junkies who just want to +1 their prestigious gaming experience.
And since it was not very 'tangible' an annihilation (in the sense that the cultural death is not as tangible as the one caused by nuclear explosions), the consequences are more rooted in culture, art, and the psychology of people that are shaped by said art.
While Fallout is a trauma gotten from a threat of nuclear annihilation (hence Fallout's more rational and detached approach), things like ATOM or You Are Empty are the result of a very real trauma, the annihilation of the Soviet world. Until then, people are gonna cherish these ruins, an epoch done and gone. It's too early to let the history go and move on. For Russia, apocalypse was very much real, and they're still getting over it. Psychologically, it's a much deeper topic than the western postapoc. People are kinda caught in the perpetual state of trance, reliving the realities of the time long gone (agitprop, social realism, the elements of everyday life). Usually, nobody is rebuilding anything in it. 'Russian fallout' is usually a setting soaked in Soviet nostalgia and the signifier of the era past.
The one without any sense of direction or substantive replacement for the things that are gone now.Īs I see it, it's mostly an unconscious feeling that has to do with USSR's dissolution and Perestroika. The reason why 'fallout' is so 'popular' in Russia: It's not really Fallout as a franchise but rather the story of a world that has been destroyed.
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